If vision grants Doris access to a heightened sense of her incarnated self, the same is true of hearing for Brenner. To attain her goal Doris has put her youth and good looks to work, displaying a candid understanding of the economic logic of exchange that drives sexual relations in an unabashedly materialistic culture.
Brenner has an unlikely empowering effect on the young woman. However, as the narrative unfolds along a winding path that blends the linear development of the novel of formation with the aimless zig-zag of the picaresque story, it becomes clear that the cinematic mode that primarily interests her is not tied to the gratification of a closed narrative, but is rather bound up with the visceral pleasures of looking found in a cinema of attractions, as her description of a well-known nightclub illustrates: The essay did not fit your needs.
Objects within this paradigm enjoy a semantic fixity and ontological fullness that is lost when they are used in a mimetic representational regime that reduces them to signs forever split between an ideational signified and a material signifier.
The intoxicating vivid- ness of sensual experience is rendered in a paratactic style that strings together visual impressions and occasional reflection, undercutting a clear hierarchical order and narrative progression.
Works Cited Ankum, Katharina von. Her debut on the stage marks both the height of her career and her downfall, as she flees the scene rather than face the lies she had spread in order to win respect from her peers.
Man denke sich alles rot und schillernd noch und noch und immer mehr und wahnsinnig raffi- niert. It is a paradox that bedeviled early inquiries into the potential of film and that was negotiated in a variety of ways within the discourse on mechanically me- diated vision.
The irony of this initial epiphany is not lost on the reader, as Doris immediately makes a rather average impression in her petty-bourgeois aspira- tions and worshiping invocation of pop-cultural icons.
Irmgard Keun and Charlotte Wolff. This is epitomized by the fur coat she steals early in the narrative, which is meant to outfit her with the glitter of wealth and good fortune. It is, at bottom, an intransitive, solipsistic condition whose idea of self-fulfillment is, not surprisingly, the self-forgetfulness of perpetual intoxication.
This is a world made up of objects exhibited in their material plenitude, which do not have to signify anything beyond themselves. Doris often bemoans its drudgery, which she seeks to neutralize by out- fitting her ideal with a utopian endpoint: Once a crime is discovered and committed, the task of investigating such crime now lies at the hands of law enforcement officials.
Und sie haben gar keine Ahnung, wie man sie mehr durchschaut als sie sich selber. What's more, the security and wellbeing of society is also in danger and in peril. In taking this position Serner cast his lot with those contemporaries who promoted a de-psychologized understanding of the new medium in order to wrestle it away from the influence of an entrenched literary tradition but- tressed by the conventions of theatrical illusionism and narrative realism.
Writing in the narrative becomes a strategy of literarization that layers the putative immedi- acy of vision with the depths of inscription, marking the distance between perception and narrativization. For Doris the visible world has no essential form, but is rather a mosaic whose pieces can be reassembled at will by playing with their refrac- tion through endlessly mirroring appearances.
In this game of mimicry and mirrored being, seeing and vision emerge as the arenas where Doris attempts to win the game by gaming a male-dominated system. Gender and Modernity in Weimar Culture. Doris pretends to be immersed in writing as she follows their conversation, when she suddenly notices that the man is casting glances her way: She ac- tively joins in the game by pretending to be immersed in her diary, which she believes will heighten her attractiveness.
In this respect, Doris exempli- fies the cultural shift described by Helmut Lethen in his analysis of Weimar culture. Das Kunstseidene Madchen Essay Words | 4 Pages. DAS KUNSTSEIDENE MÄDCHEN Irmgard Keun's novel, "Das Kunstseidene Mädchen", which has been translated into English as "The Artificial Silk Girl", is one of the most famous of Germany's `Neue Sachlichkeiten' works.
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Das Kunstseidene Madchen Essay - DAS KUNSTSEIDENE MÄDCHEN Irmgard Keun's novel, "Das Kunstseidene Mädchen", which has been translated into English as "The Artificial Silk Girl", is one of the most famous of Germany's `Neue Sachlichkeiten' works.
Das Kunstseidene Madchen Essay - DAS KUNSTSEIDENE MÄDCHEN Irmgard Keun's novel, "Das Kunstseidene Mädchen", which has been translated into English as "The Artificial Silk Girl", is one of the most famous of Germany's `Neue Sachlichkeiten' works. Essays from BookRags provide great ideas for Irmgard Keun essays and paper topics like Essay.
View this student essay about Irmgard Keun. This student essay consists of approximately 4 pages of analysis of Das Kunstseidene Madchen. Print Word PDF. This section contains 1, words Das Kunstseidene Madchen from BookRags.
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